Set as Homepage - Add to Favorites

日韩欧美成人一区二区三区免费-日韩欧美成人免费中文字幕-日韩欧美成人免费观看-日韩欧美成人免-日韩欧美不卡一区-日韩欧美爱情中文字幕在线

【wifes sex training videos】'The Last Duel’s most shocking element is a defiant sense of humor

On its surface,wifes sex training videos The Last Duellooks like a prestige drama perfectly suited to Oscar season. It’s an epic period piece bringing to light a dark historical moment with a modern awareness of its socio-political meaning. Its helmer is three-time Academy Award-nominated director Ridley Scott. Its screenplay is a collaboration between Academy Award-nominated scribe Nicole Holofcener (who should have won for Can You Ever Forgive Me?) and Oscars ‘98 Golden Boys, Matt Damon and Ben Affleck, with their first screenplay-reteam since the Oscar-winning Good Will Hunting.

Naturally, this film is stuffed with highly acclaimed stars, including Damon and Affleck, as well as twice-nominated leading man Adam Driver, not to mention Jodie Comer, the Emmy-winning ingenue of Killing Eve. Add to all this the understandable presumption that The Last Duelwill be a Westernized Rashomon, exploring three conflicting perspectives on an alleged crime, and you might think you know just what to expect from this film. However, there’s no way you could predict how joltingly funny and unnervingly entertaining Scott and his incredible team have managed to make something so regal, so grisly, and so bleak.

To be clear, though this historical drama focuses on a rape trial, sexual assault is never a subject of mockery. Instead, the barbs are saved for the men in power, who are painted as simpering fools, snarling frat boys, and egocentric scoundrels. While this film is presented in three chapters that might be described as “he said, he said, she said,” The Last Duelis not subtle about which side it’s taking.


You May Also Like

Based on a real-life trial by combat that occurred in 14th-century France, The Last Duelcenters on a rape case that pitted the word of a knight’s wife (Comer) against her husband’s (Damon) frenemy, a courtier (Driver) favored by the local lord (Affleck). Bookended by the beginning and end of the eponymous showdown, the narrative is presented in three chapters, each with a title card that proclaims “The Truth According to…” and then whoever’s perspective will be presented. First, Sir Jean de Carrouges lays out his case, defining himself as a soldier of bravery and fortitude. Then, Jacques Le Gris defends, undermining Carrouges’s account, while presenting himself as a clever and diligent servant to his liege. While the film might be dominated by the men, whose chapters make up most of the screentime, it is defined by Lady Marguerite de Carrouges, who gets the last word and the strongest chapter.

Mashable ImageJodie Comer won't be sidelined in "The Last Duel." Credit: 2oth century fox

Early on, a shrewd edit hints at willful omissions in Jean’s story. A pivotal scene of confrontation between him and the lord who loathes him is abruptly abandoned, comically cutting to him recounting the encounter to his doting wife. What went down will later be revealed — almost gleefully — in Jacques’ chapter, along with various salacious sexcapades that slyly build the squire's defense with the callous tactics of a playboy. However, even within this chapter that’s meant to be all about Jacque, Scott includes reactions shots from the women of the court that don’t align with this cad’s perspective. An eye roll here, a heavy sigh there, a panicked glance — each is a clue that there was more going on in these moments than this self-important squire could see past his upturned nose.

Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up!
An eye roll here, a heavy sigh there, a panicked glance — each is a clue that there was more going on in these moments than this self-important squire could see past his upturned nose.

Marguerite’s chapter expands on these omissions and eye rolls, not by retreading the tales of these men, but by offering the lives of women they pompously overlooked. Hers contains moments of sisterly gossip, snarling judgment from a cold mother-in-law, and vexing advice from male doctors whose concept of women’s bodies is harrowingly superstitious (and all too familiar to anyone following the abortion rights debates currently raging). Yet even within all this darkness and drama, Holofcener, Damon, and Affleck have made space for humor. This proves a necessity, not only keeping the film from being a grim tour of a battle against rape culture that is soul-crushingly timeless, but also reflects a defiant hope for something better than these boorish men in power would dare provide.

The clearest example of this almost satirical comedy is Affleck’s lord, Pierre d'Alençon. Ripping a page from Nicholas Hoult’s The Greatplaybook, the Boston boy brings a full-chested arrogance into the court, backed up by an unapologetically insatiable lust for pranks, booze, and orgies. When Jacque barges in with worrying news of the rape allegation, Pierre greets him with a booming voice that commands, “Take your pants off!” It’s hilarious in its absurdity, but within this boisterous buffoon is a keen criticism of the self-aggrandizing frat bros who’ve charmed their way into congress, the supreme court, and even the presidency. Simply put, not since Gone Girlhas someone cast Affleck so divinely. He makes an absolute meal of this wicked royal, completely understanding the assignment and relishing in every bullying beat.

But that’s not all. Alex Lawther, a British inge-dude who has made a career out of playing whimpering creeps, is the king who oversees the gruesome duel. His wormy smiles at the sight of blood and childish giddiness over life-or-death stakes are sickly amusing but also a crisp condemnation of an entitled class that sees the struggles of others as spicy entertainment. These crucial performances support the leading three, whose portrayals smartly shift from chapter to chapter, displaying distinctly how these characters see themselves and others.

Mashable ImageMatt Damon and Jodie Comer play husband and wife in "The Last Duel." Credit: 20th century fox

In his own story, Jean is a white knight, noble, and suitably lacking in self-awareness. In other chapters, he’s a stuttering outcast and a vicious brute. Damon, who has long rested in good guy roles, throws himself into each incarnation with riveting intensity. Matching his energy and surpassing his screen presence, Driver transforms from a cajoling sidekick to a Littlefinger-like mastermind, to an all-too-familiar villain. Playing seductive scoundrels has become his brand, from Girls to Star Warsto Marriage Story.But here, the subtle shifts in performance, aided by the context of his casting niche, bring the true Jacque into mercilessly sharp focus. Finally, Margeruitte transforms from a girlish bride to a savvy seductress, to a far more complicated figure, rich with aches and awareness. Comer, who has transformed over and over in her hit TV show, makes these moves with the ease of a master ballerina, holding her own against actors who’ve got much more acclaim and many more movies under their belt.

Taking on this big story, an all-too-relevant and tricky topic, three perspectives at war, plus a final battle that will explode in graphic violence and unblinking horror, The Last Duelclocks in over two and a half hours. Remarkably, it doesn’t feel long. An astonishingly judicious cut by editor Claire Simpson keeps a brisk pace without cutting key character moments. The punching-up humor of its screenwriting trio keeps a heady levity and sharp wit that punctures the darkest moments, keeping the darkest bit from feeling like a slog. Smartly, Scott is not preaching to the choir, making a rape drama that is hard to watch. He has made something star-studded and prestigious and knowingly accessible, alive with charisma and humor. Yet, his approach is not a compromising spoonful of sugar to help the medicine of hard-to-swallow societal truths go down. This brightness is a rebellious reminder of why the fight must be had. Because even when the odds are stacked against you, there is joy to be found — even if it’s in tearing these bastards down.

The Last Duel opens in theaters on Oct. 15.

0.1312s , 14233.15625 kb

Copyright © 2025 Powered by 【wifes sex training videos】'The Last Duel’s most shocking element is a defiant sense of humor,Public Opinion Flash  

Sitemap

Top 主站蜘蛛池模板: 一区精品视频在线观看免费 | 亚洲mv大片免费网站 | 久久精品国产亚洲av麻豆软件 | 亚洲精品成人专区在线观看 | 四虎影库久免费视频 | 日韩av无码国产精品不卡 | 无码囯产精品一区 | 人妻无码精品久久专区 | 中文字幕久久精品波多野结 | 人妻体内射精一区二区三 | 精品人伦一区二区三区蜜桃黑人 | 精品成人一区二区三区免费视频 | 久久久久久伊人高潮影院 | 激情久久久久久久久久 | 无码人妻中文在线佐佐木明希 | 国产成人精品高清在 | 国产精品一区二区高清久久久 | 国产亚洲无码在线观看 | 国产白丝精品爽爽久久久久久蜜臀 | 国产综合久久久久久 | 亚洲精品乱码8久久久久久日本 | 少妇人妻久久无码专区 | 另类91videos日本无在线观看视频 | 9191精品国产免费 | 秋霞伦理机在线看片 | 国产成a人亚洲精品无码樱花 | 性一交一乱一伦在线播放 | 日本熟妇乱人伦A片精品软件 | 国产人久久人人人人爽 | 五月天久久综合国产一区二区 | 国产精品第三页在线看 | 精品一区二区成人精品 | 久久免费区一区二区三波多野 | 欧美日韩一区二区三区四区 | 亚洲欧美日韩在线观看一 | 成人a级毛片免费观看av一区 | 久久综合亚洲色一区二区三区 | 丁香五月天综合缴情网 | 99久久精品国产国产毛片 | 国产亚洲欧美日韩综合综合二区 | 无码人妻一区二区三区免费n鬼沢 |