Set as Homepage - Add to Favorites

日韩欧美成人一区二区三区免费-日韩欧美成人免费中文字幕-日韩欧美成人免费观看-日韩欧美成人免-日韩欧美不卡一区-日韩欧美爱情中文字幕在线

【massage sex videos hidden cam】How TV made mid

Throughout time,massage sex videos hidden cam humans have theorized about the afterlife: Would the world beyond our own be pearly or dark? Boring or active? Up or down? As Peak TV increasingly explores the great beyond, it’s become clear that omnipotent beings are concerned with a lot of things — but they’re primarily interested in mid-century modern decor.

The aesthetic has been the guiding hand most recently of Loki, whose earthy tones and 1950s-inspired offices of the Time Variance Authority made it stand out from other Marvel properties like a brown paperclip. But it’s not alone in seeing mid-century modern as a guiding philosophy of the metaphysical realms: Forever, The Good Place, Good Omens and The Umbrella Academy all outfitted themselves in the same way.

There’s a logic to this — after all, the style is innately rigid and scalable. Whether it’s in architectural, graphic, or interior design, mid-century modern philosophy is guided by simplicity and straightforwardness: clean, practical lines; geometric shapes; bright colors and wood accents. Many of the most iconic designs — your Eames shell chairsor Isamu Noguchi’s coffee tables— eschew traditional ornamentation to simplify the form. The pieces are polished, but still a little bureaucratic. And their use on TV reflects this, often becoming the design of choice for a place that is as streamlined as it is uneasy — your time agencies (Umbrella Academyor Loki) or an afterlife where something is off (Foreverand The Good Place).


You May Also Like

And while those sleek lines might make for attractive furniture, that chair may not always be the comfiest thing — something everyone from Good Placecreator Mike Schurto Forever’s production designer Amy Williams sought to exploit as they needle their show’s inhabitants. “It’s perfect looking, but the reality is, is it comfortable? It’s the classic form versus function conflict,” Williams explained to Apartment Therapyabout setting their version of the afterlife in SoCal’s mid-century modern houses. “Would you really want to sit on it forever? We loved the idea of ugly beautiful and finding beauty in the faults in the different homes and environment.”

Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up!

Loki’s production designer Kasra Farahani sought to evoke something similar, albeit rougher, with brutalism and Eastern European mid-century modernism as “big influences for these imposing monolithic, intimidating scaled spaces in the TVA,” while using the “warm and whimsy” of American styles. “Those influences worked into what that expanse would be, which is quintessentially TVA in that it’s a place outside the physical world,” Farahani told Polygon.

It’s an odd thing to say of a design style which is just as if not more popular now (and largely unchanged) as it was between the 1940s and ‘70s. But its long tail might be another reason mid-century modern is the aesthetic of so many great beyonds: its age brings the perfect nostalgia hit for creators whose parents and grandparents houses might’ve gone in on the design. That timing helped drive The Good Place’s use of mid-century modern, both in its most severe (The Bad Place’s 1950s styling) and its lightest (Eleanor’s clown house). “What architect going to school, at any stage doesn’t love mid-century modern?” Adam Rowe, art designer on the show in seasons 3 and 4 told The Atlantic. “Plus the age of the actor … If he was designing kooky ’80s architecture or ’70s skyscrapers, I don’t know if those would fit.”

Mid-century modern also plays directly into a current theme of the zeitgeist: reinterpreting and recontextualizing historical events. High-profile cultural touchstones like the O.J. Simpson trial, President Clinton’s sexual impropriety, and even #MeToo have been reexamined on everything from TV to podcasts. There’s a cultural hunger to seeing black-and-white establishment muddied with gray and turned on its head. And it’s something Loki, Good Omensand The Umbrella Academyplay with as their protagonists battle against enforced destiny. It seems no coincidence that the byzantine structures are guided by mid-century modern, a design philosophy at once lightly eccentric but still slavishly functional.

Modernist pioneer Le Corbusier once said that “A house is a machine for living,” a reasoning evident in the base functionalism of mid-century modern design. It seems natural this ideology would guide otherworldly realms — and just as natural that the characters in these stories would rebel against its dictums. If mid-century modernism was originally borne out of the elegance, simplicity, and optimismof modernism, then these shows’ casting off of is just another way to mutiny. What each of these shows reveal is that we’re not interested in the perfection or order either mid-century modern or the metaphysical brings, and we want no part of the past or future they represent.

0.1862s , 12334.2265625 kb

Copyright © 2025 Powered by 【massage sex videos hidden cam】How TV made mid,Public Opinion Flash  

Sitemap

Top 主站蜘蛛池模板: 日本国产综合高清 | 国产丝袜一区二区在线播放 | 四库影院永久国产精品地址 | 久久99精品久久久久久无毒不卡 | 中文字幕丝袜一区 | 狠狠色丁香久久综合五月 | 国产乱对白刺激视频 | 麻豆果冻天美精东九一 | 久久精品国产亚洲麻豆小说 | 三级视频中文字幕 | 久久久久久精品精品免费 | 亚洲日本中文字幕天堂网 | 无码国产伦精品一区二区三区视频 | 国内精品久久久久影院嫩草 | 国产视频懂你更多在线 | 国产乱子伦无码精品视频 | 一本道婷婷久久欧美 | 国产成a人亚洲精品无码樱花 | 国产熟妇无码一区二区三区H | 波多野结衣三级视频 | 欧美日韩自偷自拍另类 | 波多野结衣无限发射4k超清免费手机播放 | 好久被狂躁A片视频无码免费视频 | 久久成人精品播放 | 囯产愉拍亚洲精品一区 | 免费A级做爰片 | 国产人妻高清国产拍精品 | av片子在线观看 | WWW九九九毛片无码一区二区 | 欧美精品一区二区免费开放 | 日日夜夜精品视频天天综合精品视频 | 海角精产国品一二三区别在哪 | 精品一卡二卡三卡分类 | 色噜噜狠狠狠狠色综合久 | av视屏| 久久久国产精品99热在线观看国产伦精品一区二区三区免 | 91制片厂果冻星空传媒动作 | av中文字幕在线观 | 久久久久久夜夜夜夜夜 | 国产成人欧美一区二区三区vr | 三个馊子伦着玩小说冫 |